Alla ORRENTE, Pedros Oljemålningar
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| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 8383 |
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Christ at Emmaus (detail) ah |
1620s
Oil on canvas
Museum of Fine Arts, Budapest |
| 32882 |
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St.Sebeastian |
mk84
ca.1616
Valencia,
Cathedral,
canvas
306x219cm
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| 29162 |
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The Miracle of the Loaves and Fishes |
mk65
Oil on canvas
42x53 1/2"
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| 52674 |
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The Sacrifice of Isaac |
1616 Oil on canvas, 133 x 167 cm |
| 62323 |
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The Supper at Emmaus |
81 x 101 cm Museum of Fine Arts, Budapest The Supper at Emmaus is set in a contemporary inn as in the famous composition of Caravaggio and thus it is genre-like. The foreground is composed as a still-life, its elements are typical in contemporary Spanish painting. The influence of Bassano can be clearly seen. However, the colours shows the Spanish 'tenebroso" tint. Variants of similar quality are in Bilbao museum and in Madrid, private collection. Secularized variant of the same composition (Christ is turned into a dice player) is in Mil?colletion, Barcelona |
| 8382 |
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The Supper at Emmaus ag |
1620s
Oil on canvas, 81 x 101 cm
Museum of Fine Arts, Budapest |
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| ORRENTE, Pedro
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| Spanish Baroque Era Painter, 1580-1645
Spanish painter. He is one of the most interesting artists of his day. His father, Jaime Orrente, was a merchant from Marseille, his mother, Isabel Jumilla, from Murcia. By 1600 Orrente was active in Toledo, where he was commissioned to paint a retable (untraced). In 1607 and again in 1611 he was in Murcia, and a journey to Italy recorded by Jusepe Mart?nez and Palomino must have taken place between those years. It seems certain that he visited Venice and met Leandro Bassano
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